Robert Eddison was a magnificently arrogant and pathetic old king, Edward
Petherbridge a definitive Fool. I was Edgar, another Shakespearean who goes on
an heroic journey to maturity and self-awareness. In preparing my disguise as
Mad Tom, I flung off all my clothes and stood briefly onstage as the bare fork'd
man. This was a simple image to counterpoint the impenetrable obscurity of
Edgar's language - and didn't often get a snigger. Otherwise, nothing
remarkable; although we went to USA." — From the programme for
ACTING SHAKESPEARE
Comments and Reviews
in repertory with THE WOOD DEMON, WAY OF THE WORLD, KNOTS at Brooklyn Academy of Music, 2-24 February 1974
in repertory with THE WOOD DEMON, 'TIS PITY SHE'S A WHORE, THE WAY OF THE WORLD, RULING THE ROOST
19-23 March; 29 April - 4 May 1974: Wimbledon Theatre, London
"The players gave a brilliant presentation of one of the world's greatest tragedies. — Richard WattsUK Tour:
Newcastle, Theatre Royal:
20 May
New Theatre, Oxford:
27 May
Theatre Royal, Norwich:
2 June
"IanMcKellen is an inexpressive Edgar until he busts upon the stage as Tom. Here is a creature brilliantly created by the avenging Edgar, a tousle-haired wood demon who has not stopped at anything to muster his effect: on leaving the court, Mr McKellen ceremoniously removes his clothes, improvising a loin-cloth and following with alarming accuracy the precedent of those Bedlam beggars. His left arm is bloodily savaged by a huge thorn, his movements studiously contorted, his mouth agape and his body grimed with mud and gore. This throbbing image of distraction and anquish is the strongest visual element in the production." — Michael Coveney
Next Play: 'TIS PITY SHE'S A WHORE (Wimbledon)
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