On returning to the Royal National Theatre, I had been keen to be one of the actors in Trevor Nunn's new company but they were not scheduled to rehearse until late 1998. I was impatient because I wanted to leave 1999 free for possible filmwork, which a further season at the NT would impede.
So I asked Jude Kelly, artistic director of the West Yorkshire Playhouse if she could quickly assemble a company to mount three plays in early autumn. She agreed that I could be free by the end of February 1999 and together we chose the plays. I began wanting to play Dr. Dorn in Chekov's The Seagull and dame in a Christmas pantomime. Kelly was insistent that I should play 2 leading roles. In the end we picked two masterly plays about theatre-life, The Seagull was to be followed by Noël Coward's Present Laughter. Both offered a range of good parts for all the actors. Instead of dame, I settled for Prospero in The Tempest.