The 2007 productions of King Lear
and The Seagull marked the fifth
decade of collaboration between Ian McKellen and Trevor Nunn.
They met as undergraduates, both reading
English at Cambridge, where they acted together in
the Marlowe Society's 1960 production of Christopher Marlowe's Dr Faustus in the open-air theatre in Bankside
Gardens, Stratford-upon-Avon.
Signed Programme for Dr Faustus, including "Trevor R. Nunn" (Second
Scholar)
They first worked together professionally,
for the Royal Shakespeare Company in 1976, when Nunn as artistic
director invited McKellen to be his leading man in a golden season of
successes. McKellen played Romeo (to Francesca Annis's Juliet); voted Actor
of the Year for his now legendary Macbeth (with Judi Dench as
Lady Macbeth) and Leontes in The Winter's Tale,
which were all directed by Nunn and played at Stratford-upon-Avon and
Newcastle-on-Tyne.
The next Stratford season opened with a three-week revival of Macbeth before two seasons in London at
the Donmar and Young Vic. Romeo transferred to the Aldwych, then the RSC's
London home alongside another Nunn success, Ben Jonson's
The
Alchemist with McKellen as Face (Comedy Performer of
the Year).
Trevor Nunn outside The Other Place, 1977
Photo by Ian McKellen
Also for the RSC was the premiere of Tom Stoppard's play Every Good Boy Deserves Favour with music
composed and conducted by Andre Previn for one night at the Royal Festival
Hall. McKellen played the heroic Alexander. This was also
televised.
Video versions of Othello,
Macbeth, and Every Good
Boy Deserves Favour are currently available.
In 1978, McKellen produced and acted for the
RSC's first small-scale tour around the United Kingdom, on John Napier's
portable stage. Nunn directed Twelfth Night and Chekov's
Three
Sisters, with McKellen as Sir Toby Belch and Andrei. The journey to 13
venues was chronicled on television by the South Bank Show.
Trevor Nunn, Judi Dench, and Ian McKellen in 1982
The Nunn/McKellen partnership was revived in 1989 with Othello, the closing production of the original Other Place in
Stratford. McKellen was a ground-breaking Iago, for which he was again Actor
of the Year. The production played the Young Vic in London and was
televised.
Nunn invited McKellen to be his leading man for his first season
as artistic director at the National Theatre in 1997, which opened with his
production of Ibsen's Enemy of the People
(McKellen as Dr Stockman.) This also played the Ahmanson Theatre at
the Music Centre in Los Angeles.
About this time the two friends agreed that they might one day mount
King Lear. The first performance of Nunn/McKellen's King Lear was at the Courtyard
Theatre in Stratford on 24 March 2007.
QUOTES
On Dr Faustus (1960): "I was The Pope and Trevor my acolyte! The
following year I played Shakespeare's King Henry 6th at the Arts Theatre,
Cambridge, with Trevor as an old man."
King Henry (Ian McKellen, center) and Lord Say (Trevor Nunn, prone right) 1961
On the RSC's first small-scale tour of the UK
(1978): "Trevor told me it was the most enjoyable job he'd ever done for the
RSC. He must have enjoyed the actors because they were the core of the
company which later devised Nicholas Nickelby, Trevor's RSC
masterpiece, itself the staging inspiration for Les Miserables."
DVD cover featuring Roger Rees and John Woodvine
On Trevor Nunn's first season as artistic director of the
National Theatre :1997-8): "I am thrilled to be back in Trevor's rehearsal room,
where I expect to learn once more from one of the world's most inspiring
directors. His appointment at the RNT is a worthy successor to Richard
Eyre."
On King Lear
(2007): "Trevor promised to invite me if he were ever asked
to direct the play which he'd already done twice for the RSC and I would
return the compliment if I were ever asked to play Lear. So when Michael
Boyd asked me to do just that, to conclude the RSC's presenting all
Shakespeare's plays over 12 months by playing Lear, Trevor honoured his
promise." Ian McKellen, February 2007
Sir Ian McKellen
Sir Trevor Nunn
Sebastian (Trevor Nunn) Twelfth Night
Cambridge, 1960